Black Archives

The image shows a gallery-style display on a wall, showcasing various framed artworks and photographs. The display features a series of black and white and colored images, which are neatly aligned in a row. On the left side of the image, there is a black and white portrait photograph of a man with a short beard, labeled beneath with the text "Wass Cosby, 1950-2004." To the right, the next frame contains a document. Moving further right along the wall is a large painting with several human figures' portraits in a montage style, prominently featuring silhouettes filled with various faces and the word "BLACK UNITY" at the bottom. Adjacent to this large painting, additional frames contain colored and black and white images, including more portraits and documents. Overhead, ceiling lights direct illumination onto the displayed works, creating reflections on a shiny surface below, enhancing the gallery’s presentation.
The image is of a museum or gallery exhibit with a focus on Black history and culture. The main viewpoint is a glass display case in the foreground, containing several items including a colorful kente cloth with "2020" embroidered, pamphlets, and historical documents. To the right of the display case, a sign reads "NMSU Black Programs" with a list of their mission and services. In the background, there is a wall with framed photographs and artworks, neatly aligned in two rows under bright ceiling lights. Further in the background, there are additional display cases and exhibit items.
The image portrays a hallway in an indoor setting that features a display of framed documents and photographs mounted on a beige wall. The hallway is well-lit with overhead lighting. On the left side of the image is a large white panel with printed text about the Black Studies Program at NMSU. Several frames, each containing a different historical document or photograph, are arranged in a single horizontal line along the wall. Toward the end of the hallway is a sign that reads "Caroline E. Strain Research Room" and a bench.
The image shows an exhibition room with a series of framed historical documents and photographs hanging on a beige wall. The room has a soft, overhead lighting system consisting of evenly spaced ceiling-mounted spotlights. The exhibit extends along a corridor on the left, with multiple frames evenly hung in a straight line at eye level. A large poster with multiple portraits and text is displayed midway along the wall. Several wooden display cases with glass tops are positioned along the right side of the room, showcasing documents and artifacts. At the far end of the room, the wall has the text "Caroline E. Stras Research Room" to designate the room's purpose. The floor is carpeted in a light, neutral color, giving the space a clean and organized look.
The image shows a hallway with a series of framed photographs and posters hanging on a light beige wall. The frames are aligned in a single row and vary slightly in size. Starting from the left, the first frame is a detailed art piece featuring multiple illustrated faces and a bold design. The next frame contains a photograph of a man in a white suit, seated. The following frame displays a colorful document with a list of names or events, bordered by a plain white background. Moving on, another photograph shows a man in a white shirt, sitting and smiling. The subsequent frame presents a colorful "Soul to Soul" poster with an image of a person in a vibrant outfit. The next framed item is a photograph of a man in a mustard-yellow outfit, overlaid on a plain background with the title "Dr. Patrick Turner, 2019 Interim Director". Adjacent to this is a frame containing two photographs: one of a man in a maroon shirt smiling and another of a woman with long hair, both on a plain background with the title “Michael Ray, 2022 Interim Director” above the man’s photograph, and "Dr. Bobbie Green, 2022-2023 Interim Director" below the woman's photograph.
The image displays a wooden display case containing various documents and items under a glass cover. The display case is situated against a textured beige wall. Inside the case are a mix of papers, some typed and others handwritten, arranged in an overlapping fashion. Prominent among these is a certificate from New Mexico State University and a colored photograph of a group, labeled as the NMSU Gospel Choir. Additionally, there are several booklets and pamphlets standing upright against the back wall of the case.
The image portrays a display exhibit in a museum or institutional setting. At the center is a wooden display case with a clear glass cover, showcasing various artifacts and documents related to Black Programs at New Mexico State University (NMSU). The display case includes items such as pamphlets, brochures, a colorful “Class of 2020” stole, a booklet, photographs, and printed documents. The contents are arranged neatly, providing a historical narrative of the Black Programs. In the background, several framed portraits and documents are hung on a beige wall, showing prominent individuals and significant moments related to the exhibit's theme. To the right, a maroon tablecloth with "NMSU" printed on it covers a table that appears to hold additional materials, including books and framed photos.
The image shows a wooden display case with a glass top containing various posters, flyers, and documents related to events and activities. The case has a light brown wooden frame with sharp edges and is positioned against a speckled white wall. Inside the case, under a label titled "EVENTS AND ACTIVITIES", there are multiple items: A large poster for "The Diversity Lecture Series" featuring Harold Bailey, Peggy McIntosh, and Tim Wise. A flyer for the "Underground Railroad Cultural Exhibit" presented by the Black Students Association. A tribute poster for the 1970-1971 New Mexico State University NCAA Final Four basketball team, including team photos and action shots of players. Various other flyers and documents with information on past events, including one titled "Early Entertainment and Speakers".
The image showcases an indoor exhibit gallery featuring a series of framed artworks and photographs on the wall. The gallery wall is a light, neutral color, and the space is well-lit with spotlights from the ceiling. Along the left side, there are three frames, which include a poster with text and images, a black and white portrait photograph, and a document. In the center of the wall, there is a large, colorful banner with multiple illustrated portraits and the word "BLACKUNITY" in the center, along with a caption at the bottom that reads, "LAUNCHING OF A LEGACY: BLACK PROGRAMS AND COMMUNITY AT NMSU." To the right of this central banner, several more framed images and documents are displayed. At the far right end of the wall, there is a text display that reads, "The Humboldt Casad and Evangeline Smith Mandell Exhibit Gallery," with two framed portraits underneath. A table with a maroon cloth displaying "NMSU" is placed below this section, containing papers and other materials. In the foreground, a wooden bench is partially visible, oriented towards the exhibit wall.
The image depicts an exhibit area titled "The Humboldt Casad and Evangeline Smith Mandell Exhibit Gallery." The gallery has a clean, organized layout with beige walls and dark grey carpet flooring. On the right side, the gallery has a series of framed photographs and documents hanging on the wall. Directly below this display is a maroon-colored table covered with a cloth that reads "NM State BLACK PROGRAMS" and contains various informational materials. The back wall of the gallery hosts more display cases with exhibits under glass. The pretty structure above the exhibits displays overhead lighting fixtures focused on the displays.